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This week in LA

  Hiking the Poppy Reserve in Lancaster this week, March 2019 “Through the dancing poppies stole a breeze, most softly lulling to my soul.” John Keats All Photography  © 2019 Leticia Marie Sanchez  

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Review: Oscar Rejlander and Reenactment in Contemporary Photography at the Getty Center

Oscar Rejlander: Artist Photographer Encore: Reenactment in Contemporary Photography On View March 12-June 9, 2019 By Leticia Marie Sanchez With the advent of I-phones, Instagram, and social media, photography is the artistic medium most often at people’s fingertips. Aided by the use of filters, users attempt to curate frothy artistic images out of everyday items like cups of Espresso or Pumpkin Chai. But photography was not always viewed as an artistic medium on par with Fine Arts like painting and sculpture. The Getty Center’s new exhibit Oscar Rejlander: Artist Photographer sheds light on an artist who became known as “the father of art photography.” The exhibition, curated by Lori Pauli, curator of photographs at the National Gallery of Canada, and Karen Hellman, assistant curator of photographs at the J. Paul Getty Museum, is comprised of 150 photographs and includes images

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Art and Nature

“Great art picks up where nature ends”- Marc Chagall. On a post-rain walk at the Huntington where clouds combine with Alexander Calder’s sculpture “Jerusalem Stabile“ Photography  © 2019 Leticia Marie Sanchez

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Art News: Is the world’s most expensive painting a fake?

The latest Da Vinci mystery  by Leticia Marie Sanchez The Salvator Mundi, supposedly painted by Leonardo Da Vinci, sold for a staggering $450.3  million at Christie’s in New York was bought by a Saudi prince. Yet rumors have surfaced that the Louvre Abu Dhabi postponed an unveiling of this painting, due to disputes about its authentication. The painting is  set to make a cameo appearance at the Louvre Paris this Fall to celebrate the 500th anniversary of the death of Da Vinci. What is mind-boggling is that this “Da Vinci” was purchased at a Louisiana estate sale in 2005 for a measly $10,000. And tracing its provenance, further, the Kuntz family purchased it in London in 1958 for a mere $120, not as a Da Vinci painting, but instead attributed to the “school of Da Vinci.” * Jonathan Jones’ informative

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On A Winter Walk at Descanso Gardens

On A Winter Walk at Descanso Gardens Photography  © 2019 Leticia Marie Sanchez “Each moment of the year has its own beauty,” Ralph Waldo Emerson

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CCH Interviews the Getty’s “Miraculous Encounters” curator Davide Gasparotto, about a Pontormo art mystery!!

Cultural Cocktail Hour is a registered trademark    Giorgio Vasari is pretty much the world’s first famous art historian. He was in the circle of Michelangelo, Pontormo,  Andrea del Sarto, and other world-class artists. Vasari book Lives of the Artists, first published in 1550, lays the foundation for art historical writing. Yet despite writing extensively about Pontormo, Vasari never once mentioned Pontormo’s resplendent painting, The Visitation. Why not? Once having viewed this mesmerizing painting, it would be impossible to forget it. Yet Vasari ignored it completely. Some have speculated that since Pontormo painted it during a historic siege, there may have been political reasons for the mysterious omission. At the time Vasari’s patron, the Medici Duke was an adversary of Bartolommeo Pinadori, the patron for Pontormo’s “Visitation.” Cultural Cocktail Hour’s Editor-In-Chief Leticia Marie Sanchez asks Davide Gasparatto, Senior Curator at the

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“Pontormo: Miraculous Encounters”- A MUST SEE exhibit at the Getty Center

“Pontormo: Miraculous Encounters” A MUST SEE Exhibit at the Getty Center By Leticia Marie Sanchez Organized by the Getty Museum in conjunction with the Gallerie degli Uffizi in Florence and the Morgan Library and Museum in New York, “Pontormo: Miraculous Encounters” is curated by Getty Museum Senior Curator of Paintings, Davide Gasparotto and Bruce Edelstein, coordinator of graduate programs and advanced research at NYU Florence. The paintings and drawings presented in the exhibition were created by Jacopo Pontormo between 1528 and 1530, during an intense historical period. Battles between Florentine Republican forces and the Medici family in 1527 resulted in a siege. Incredibly, all three Pontormo paintings in the exhibit were painted during this tumultuous time, when Mannerist painter Jacopo Pontormo bravely remained in Florence to guard his home. The opportunity to see the Visitation is somewhat of a miracle, not only because it’s

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In the news: Selfies and artistic collateral damage

Selfies: Artistic Collateral Damage? by  Leticia Marie Sanchez This article first appeared in Cultural Cocktail Hour in 2016  One cannot enter a gallery, museum, or even concert venue without encountering a selfie taker, some more subtle and thoughtful than others. Taking a selfie as a souvenir of an artistic experience is one thing. But what happens when I-phones become Weapons of Mass Destruction? Unfortunately, at the 14th Factory, a pop-up gallery in Los Angeles,  a clumsy student taking a selfie apparently caused more than $200,000 worth of damage to a series of crowned pedestals by Hong Kong based multimedia artist Simon Birch. Birch decided not to press charges against the individual because 1) she was a student and 2) it was an accident. In a statement released by Birch, the artist reveals: “Each sculpture was painstakingly designed and built from all kinds of

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Young Verdi: Altar Boy

Verdi

By Leticia Marie Sanchez       Cultural Cocktail Hour® is a registered Trademark In his Book of Musical Anecdotes, Norman Lebrecht relates a revealing incident from Verdi’s childhood. The seven-year-old Verdi, born into a modest family, once served as an altar boy at the church of Le Rencole. During Fête Day, the young boy heard the organ for the first time. Transported by the emanating musical harmonies, the child did not hear the priest’s request for water. Three times did the priest make his demand, to no avail. Enraged at the child with his head in the clouds, the priest struck a severe blow, pushing young Verdi down the three altar stairs, knocking him into unconsciousness. When the child thankfully awoke from his ordeal, what was the first thing for which he asked his parents? A painkiller? A glass of

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This week in LA: Christie’s Preview of Old Masters Sale

Christie’s Preview of Old Masters sale including Masterworks from The Estate of Lila and Herman Shickman and an Important Private Collection Christie’s Los Angeles 336 N. Camden Drive, Beverly Hills, CA 90210 VIEWING January 10–16 Weekdays: 10am – 6pm Saturday: 12pm – 4pm Sunday: Closed Angelenos have a chance to preview works from the estate of Lila and Herman Shickman, in advance of an Old Master sale in New York in May. A prominent art dealer of the 20th century, Herman Shickman fled Nazi Germany and moved to New York where he dealt Old Master works on paper and still life paintings. Until he retired in 2003, Shickman ran his eponymous gallery on New York’s Upper East Side. Juan van der Hamen y León’s Still Life with Flowers and Fruit is expected become the most expensive Spanish still life ever auctioned. For more information, please

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