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Review: In the Raw: A fresh take on the Renaissance at the Getty Center- A Must See Exhibit

In the Raw: A Fresh take on the Renaissance at the Getty Center by Leticia Marie Sanchez The Renaissance Nude Oct 30, 2018- Jan 27, 2019 The exhibit on the Renaissance nude at the Getty does not pull any punches- it is authentic, raw, and illuminating. What makes it stand out is that idealization is not the name of the game. Instead, the exhibit gets to the heart of the matter. There are books on anatomy, studies from morgues, saints being tortured, bodies that are emaciated and infirm contrasting with ripe, seductive, athletic, forms. The lushness of a painting like Titian’s Venus Rising From the Sea is viewed within the context of the nude form in all its facets. Unlike other Renaissance exhibits which focus on iconography alone, the Getty exhibit explores what proves more fascinating, the intriguing world behind

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Making a Splash at Christie’s Beverly Hills- October 23-27 (Post War Contemporary Sale-Los Angeles Tour)

  by Leticia Marie Sanchez Art-loving Angelenos will have a chance to check out iconic Post-War paintings at Christie’s Beverly Hills this week! The works on view include David Hockney’s Portrait of an Artist (Pool with Two Figures) and Edward Hopper’s Chop Suey- which is no chopped liver,- it’s estimated to be worth about$ 70 million! According to Christie’s the Hockney’s painting is “poised to become the most valuable work of art by a living artist ever sold at auction.” Post War Contemporary Sale – Los Angeles Tour:  David Hockney (b. 1937), Portrait of an Artist (Pool with Two Figures), 1972. Acrylic on canvas. 84 x 120 in (213.5 x 305 cm). Estimate on request. Offered in the Post-War and Contemporary Art Evening Sale on 15 November 2018 at Christie’s in New York © David Hockney       Edward Hopper, Chop Suey (1929). Oil on

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Beautiful Day at the Norton Simon Fall Family Festival

All Photography  © 2018 Leticia Marie Sanchez

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The Banksy Self-Destructing Art Mystery

The Banksy Self-Destructing Art Mystery by Leticia Marie Sanchez Last week in London, after being sold for 1.4 million dollars at auction, a Banksy painting self-destructed. Banksy’s “Girl with a Balloon” had just sold at Sotheby’s when a hidden shredder inside the painting began to slice and dice the work, to gasps from the auction crowd. Photo Credit: Sotheby’s After the stunt, Banksy posted a quote from Picasso on his Instagram account. “The urge to destroy is also a creative urge.” Sotheby’s Senior Director of Contemporary Art stated in a news released, “”It appears we just got Banksy-ed,” But many questions remain. Was Sotheby’s in on the stunt? Was the shredder operated remotely? How was Banksy able to get the perfect video of the stunt which he later posted on his Instagram? Some speculate that a curly-haired man at the auction videotaping

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Getty Villa Chefs and the Bacchae..

Chefs at the Getty Villa are already preparing the menu for the concessions available on the nights of the performances of Bacchae, opening September 6th. Treats include the edible butterfly on this chocolate tart. The pleasure-seeking Dionysus would certainly approve of this Cultural Cocktail for the senses!

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A FOR ART- Icons of Style- A Century of Fashion Photography- A MUST SEE at the Getty Center

A for Art ICONS OF STYLE: A CENTURY OF FASHION PHOTOGRAPHY- A MUST SEE AT THE GETTY CENTER By Leticia Marie Sanchez June 26–October 21, 2018 Icons of Style at the Getty is NOT-TO-BE MISSED for a myriad of reasons. Firstly, the presentation itself is visually compelling. Iconographic fashion photography surround dynamic costumes ranging from Coco Chanel, Christian Dior, Madeleine Vionnet, Madame Grès, Issey Miyake, and Alexander McQueen. Secondly, and more importantly, this exhibit is the first of its kind. Photo Left: Sarah Moon, 1941, Sveta for Hussein Chalayan, 2000; Carbon print; 2011.52; 57.2 × 43.4 cm (22 1/2 × 17 1/16 in.) Copyright:© Sarah Moon Historically, museums have not actively collected fashion photography because the medium has been viewed as undeserving of the capital letter A for Art bestowed upon portraiture, landscape, and abstraction. Even within the genre of photography itself, fashion photography has often

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New Installations at the Getty Villa- *A Must See!*

by Leticia Marie Sanchez Cultural Cocktail Hour had the pleasure of visiting the new installations at the Getty Villa. Prior to seeing it firsthand, I honestly wondered how this oasis in Malibu, remodeled after the home of Julius Caesar’s father-in-law, could in any way be improved. After seeing the results of this massive undertaking, I am a believer. What now comes to the forefront is art history, the progression of stylistic history that becomes clear on a visceral level. The stylish progression from the very formalized, stiff and archaic works to the explosion of naturalism and expressionism becomes apparent as one walks through the galleries at the Getty Villa.  There’s a logic to the stylistic evolution, and one need not be a connoisseur of art to appreciate the stylistic changes that unfold. In fact, one striking takeaway is that an artistic neophyte could learn more from

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Cultural Cocktail Hour’s Interview with Timothy Potts, Director of the J. Paul Getty Museum

  Photo Credit- Courtesy of the J. Paul Getty Trust. Cultural Cocktail Hour interviewed Timothy Potts, Director of the J. Paul Getty Museum, in advance of two openings at the Getty Villa on April 18th: The Reinstallation of the Antiquities Collection at the Getty Villa Plato in LA: Contemporary Artists’ Visions   INTERVIEW Cultural Cocktail Hour: Plato in LA explores the influence of the classical world on the Contemporary World. What do you think are the most profound influences of antiquity on contemporary art and society today? Timothy Potts, Director of the J Paul Getty Museum: “It depends on what you mean by contemporary art and what is contemporary to us today. You only have to go back to the late 18th and 19th century when the height of fashion all over Europe was classical styles in sculpture and architecture and

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Plato in LA- A Must See Exhibit- at the Getty Villa

 Plato in L.A. Contemporary Artists’ Visions  April 18–September 3, 2018 By Leticia Marie Sanchez Plato would have had a field day with Los Angeles at this point in time. Even the term Virtual Reality has Platonic connotations. After all, Platonic Realism espouses the notion that the material world is only a poor copy of the real one. In his allegory of the caves, Plato described shadows which people assume are real, but are, in fact, mere imitations of the real world. What would Plato have thought of social media, with all its filters used to create a hyper-perfect reality? What is real, and what is a façade? Even the entertainment world in Los Angeles, and the dark underbelly that was exposed this year. Beyond the glossy images on the silver screen, the hair and makeup, the movie sets, sexual assaults

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More photos from the Peggy and David Rockefeller preview reception at Christie’s

                                Georgia O’Keeffe (1887-1986)Near Abiquiu, New Mexico Image: Courtesy of Christie’s                 Claude Monet (1840-1926)Extérieur de la gare Saint-Lazare, effet de soleil Image: Courtesy of Christie’s  

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