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Wise Woman of the Day: Beverly Sills

“Art is the signature of Civilizations.” 

–Beverly Sills— 


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Mozart’s Mug Shot?

Holy Cadenza!

Do you recognize this guy?

This photo represents a facial composite of  that 21 year old wunderkind Mozart, created in the around 1990s by the Bundeskriminalamt Wiesbaden—the Federal Criminal Police Office of Wiesbaden, Germany—from four portraits painted during the composer’s lifetime, according to the website Dangerous Minds.

Via: http://dangerousminds.net/comments/mozarts_mug_shot

What do you think?

Would you trust this guy with a Sonata?

Incidentally, Mozart found forgiveness for one of the few “illegal” activities in which he found himself embroiled. As a 14 year old, he created the first illegal copy of “Misere,” a piece heavily protected by the Vatican. Even copying the piece from memory (as Mozart did) was punishable by excommunication. However, when the Pope met the young prodigy, instead of scolding him, he lavished the youngster with high praise.

But, of course!

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In the news: Rembrandt found under ping pong table fetches millions

 Three brothers from New Jersey discovered a valuable Rembrandt under their Ping Pong Table.

Better than finding toxic mold!

Here is the news link:

http://www.nj.com/bergen/index.ssf/2018/01/how_an_old_painting_turned_out_to_be_a_11_million.html

Rembrandt

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Met Opera Auditions- Western Region Finals- Zipper Hall

This past Sunday was yet another afternoon filled with wonderful talent. Opera Singers from across the Western Region vied for a chance to sing on the Met Stage at auditions held at the Colburn School’s Zipper Hall.

Soprano Julia Metzler garnered the coveted first place! Congratulations! Other standouts included the poised, charming, and vocally impressive Katherine Beck who garnered audience acclaim for her rendition of Rossini’s “Una Voce Poco Fa” from the Barber of Seville. Tenor Brian Michael Moore was another audience favorite at the ripe old age of 25. These young singers give hope to the future of opera. Bravi!

Met Stage 3

Met Stage

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LA Art Show- *A MUST SEE* LA Cultural event

All Photography © 2018 by Leticia Marie Sanchez

Strolling through the LA Art Show, there are delightful surprises around each corner, like the Earthenware by Picasso, who knew?

Picasso Earthenware

Picasso Earthenware 2

 

 

   

“Metamorphosis” by Erika Harrsch in which ”Extinct” Butterflies are created by currency made extinct by the  Euro

Metamorphosis

And an allusion to Rodin’s “The Thinker” lost in his phone

Rodin on the Phone

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Chagall at LACMA: dreamy and ethereal

Better 2 CostumeAll Photography © 2018 by Leticia Marie Sanchez

This lovely exhibit devoted to Marc Chagall (which ends Sunday January 7th) is filled with a host of costumed characters from “The Magic Flute,” “The Firebird,” “Daphnis and Chloë,” among others…

Chagall BestChagall YellowFLower Red Chagall Chagall Bright greenChagall flower loveliesChagall HarlequinDramatic Costumes

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LA Art Show 2018: Jan 11th- Jan 14th

LA art show 2018

LA ART SHOW

LA Art show

 

OPENING NIGHT PREMIERE

Wednesday, January 10, 2018

Thurs. Jan. 11, 2018 | 11am – 7pm;

Friday, Jan. 12, 2018 | 11am – 7pm;

Sat, Jan. 13, 2018 | 11am – 7pm;

Sunday, Jan. 14, 2018 | 11am – 5pm

TICKETS

https://www.eventbrite.com/e/la-art-show-2018-tickets-39739173939

Photography and Logo © LA Art Show

 

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Beethoven & the Beef Stew- don’t try this at home!

First published by Cultural Cocktail Hour on January 21, 2011

by LeticiMarie Sanchez

Cultural Cocktail Hour® is a registered trademark

According to Norman Lebrecht, author of “The Book of Musical Anectodes” (Simon & Schuster, 1985), Beethoven flew off the handle when a waiter at the Viennese restaurant “The Swan,” brought him the wrong meat dish. Some artists are particular about their piano benches (Gould) while others are particular about their beef.  An outraged Beethoven hurled the dish, gravy and all, over the waiter’s head.

Just as the wrong meat could turn him into a raging bull, the right one could turn him into a loving lamb.  When his friend Ferdinand Ries sent him a particular type of roast veal, Beethoven kissed and embraced him, telling him “never had anything given him such pleasure as the roast veal, coming at the very moment when he so greatly longed for it.” (Lebrehct, 81)

Beethoven also adored bread soup, which he ate religiously on Thursdays. Woe to the chef who did not prepare it properly. He or she would have to duck from Beethoven-hurled Eggs Bombs. Yolks on the Cook!

Beethoven obviously felt all of his Senses, including his gastronomical ones, intensely. Perhaps that is why the wrong cut of beef could put him into a stew.

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December Blooms

“If winter comes, can spring be far behind?”- Percy Bysshe Shelley

 (Photo snapped In the Huntington Rose Garden, December 2017)

Photography © 2017 by Leticia Marie Sanchez

Huntington Rose

 

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Rembrandt- A Sassy Influencer

Rembrandt- A Sassy Influencer

by

Leticia Marie Sanchez

Cultural Cocktail Hour® is a registered Trademark

gold gilded rembrandt

There’s a new gentleman in town who has recently arrived from England. Hailing from London’s National Gallery of Art, Rembrandt van Rijn’s Self Portrait at the Age of 34 has arrived at the Norton Simon Museum of Art in Pasadena. At the opening night preview, Norton Simon Chief Curator Carol Tognieri revealed that this is the London gentleman’s first trip to the United States. Several attendees at the opening observing the painting up close, commented on the young man’s dewy skin.

Rembrandt van Rijn, Self Portrait at the Age of 34; 1640; Oil on canvas; 102 x 80 cm,  On loan from  London’s National Gallery of Art

Unlike Rembrandt’s later self-portraits depicting wizened, furrowed brows, this is a dashing subject. The sumptuous gold frame itself warrants admiration. But don’t let the august, majestic pose of the gentleman artist fool you: Rembrandt was a sassy dude.

The full range of Rembrandt’s personality shines through the clever juxtaposition of two exhibits: the imperial aura of the self-portrait and the humorous, irreverent images in a concurrent exhibit: Rembrandt’s Prints of a Particular Spirit. In the former, Rembrandt portrayed himself as a gentleman artist. In the latter exhibit, one sees glimpses of a mischievous maverick.

One of Rembrandt’s favorite models was himself (due to the fact that he was readily available). In the prints, one can view the full palette of Rembrandt’s emotions.

M197732010G

A bit like a sassy selfie, no?

Rembrandt van Rijn, Self-Portrait in a Cap, Open Mouthed, 1630Etching; only state, plate: 2 x 1-3/4 in. (5.1 x 4.4 cm); sheet: 2-1/16 x 1-13/16 in. (5.2 x 4.6 cm), Norton Simon Art Foundation; M.1977.32.010.G  © Norton Simon Art Foundation

Do not miss the juxtaposition of three expressions of Rembrandt: Self-portrait in a Cap, Open Mouthed, Beggar Seated on a Bank, and Self-Portrait Wearing a Soft Cap: Full Face, Head Only.  In this series, Rembrandt used his face to express a full palette of emotions: despair, surprise, and joy. His beggar was a metaphorical jibe, exposing his distaste for artists ingratiating themselves with their benefactors. Rembrandt, on the other hand, had a reputation for being contentious with his clients. The Self- Portrait in a Cap, Open Mouth depicts his madcap humor.

M197732027G

Rembrandt van Rijn Self-Portrait with Saskia 1636Etching, State I,  plate: 4-1/8 x 3-11/16 in. (10.5 x 9.4 cm); sheet: 4-1/4 x 3-3/4 in. (10.8 x 9.5 cm)  Norton Simon Art Foundation,  M.1977.32.027.G © Norton Simon Art Foundation

Look into my eyes…. Rembrandt the Romantic..

(Facebook Status: Rembrandt’s In A Relationship)

Self Portrait with Saskia is the only etched image of Rembrandt with his beloved wife, Saska Van Uylenburgh. In this image one can see a Dutch Motto “Liefde Barte Kunst ”(Love brings forth art). Additionally, this image includes a porte-crayon, a two-ended drawing instrument in Rembrandt’s hand, designating this as Rembrandt’s first self portrait as an artist.

Another gem to be gleamed from the exhibit is the connection of Rembrandt with berets. Rembrandt proved a forerunner in popularizing the beret among artists. Rembrandt’s contemporaries, including Gerard Dou, emulated him by donning the beret in their own self-portraits to denote their creativity.

Gérard_Dou

I wear a beret, therefore I create…

Thanks for the fashion tip, Rembrandt!

Gerard Dou

Self-Portrait With A Palette, In a Niche,

1660-1665, Oil on Panel,

Height 31cm, Width 21 CM 

© The Louvre.

The beret as a signifier for an artist is not limited to the scope of art history; rather, Rembrandt’s beret has impacted pop culture as well.

 

 

picasso-gtha

Left: Pablo Picasso 

Not only have countless artists ranging from Picasso and Maillol to Hemingway donned the beret, but so did Snoopy as he stood next to his easel. Every cheesy flick or television show will inevitably use a beret as costume shorthand for “artiste.”

 

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I may not be Rembrandt, but this beret means I can paint paw-fec-tly

Charles Monroe Schulz, Snoopy.

In today’s social media parlance, Rembrandt was a real influencer.

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