By

 Leticia Marie Sanchez

Under a moonlit sky at the Huntington Library and Botanical Gardens, MUSE/IQUE’s program “The (Un) Americans” was a blend of history and music that left its audience inspired.

Entering the garden setting, I was greeted by posters of the many entertainers impacted by the Red Scare, the attempt to silence artists by Senator Joseph Mc Carthy, following his 1947 House Committee on “Un American” Activities. 

As I sat under the stars, I reflected on the namesake of this performing arts group and the etymology of the word Muse. In mythology, Muses were inspirational goddesses representing various bodies of knowledge including history, dance, poetry, and song.

This was the first time I had attended a MUSE/IQUE performance, and as the concert unfolded, it occurred to me that Artistic Director Rachael Worby brilliantly incorporated the muses of history, dance, song, hymn, and comedy into a thoughtful program.

Ms. Worby is a charismatic walking encyclopedia, and her passion shone through the program. Her vision distilled history in a sensitive, enriching, and sometimes hilarious way. For instance, when discussing the Communist accusations against “I Love Lucy” heroine Lucille Ball, Worby related an anecdote from Ball’s husband Desi Arnaz who quipped, “The only thing Red about Lucy is her hair. And even that’s not real.”

The program contained many musical gems. In honor of musician Hazel Scott, who entered Juillard at the age of 8, Bach was reinterpreted as jazz music.

Another musical highlight was the tribute to the legendary Artie Shaw. Musician Tom Ranier, who was mentored by Artie Shaw, performed Begin the Beguine. It was thrilling to see the line of history continue before our very eyes. The Red Scare did not silence Shaw, and his artistry lives on through all those he has impacted.

In a tribute to musician Paul Robeson, MUSE/IQUE performed “Balm in Gilead” which showcased an uplifting interpretation by the DC 6 Singers Collective.  In light of recent unsettling events in Los Angeles, the performance by the talented cast of MUSE/IQUE, and its dynamic artistic director Rachael Worby provided the audience with a balm of healing and hope.