Cultural Cocktail Hour heads to San Francisco

A splash of ballet and a dash of Marie Antoinette. Shaken, not stirred. Your pre-Christmas Cultural Cocktail  by Leticia Marie Sanchez SAN FRANCISCO EXHIBIT HIGHLIGHTS Rudolf Nureyev: A Life in Dance. de Young Museum Closes February 17, “You live as long as you dance,” declared Rudolf Nureyev. The exhibition at the De Young Museum is a testament to the vivacious spirit of one of ballet’s most blazing stars. The exhibit showcases intimate photographs of Nureyev rehearsing, video clips of him soaring, and even ballet slippers donned by the dancer and his legendary partner, Margot Fonteyn. A close look behind the glass case reveals slipper toes well worn, naturally. One can only imagine how many times Nureyev rehearsed in his zealous quest for perfection. This fearless dancer was no stranger to conflict, including having a KGB hit placed on his life. The world of

Exhibit Review: Van Gogh’s “Self-Portrait,” 1889, at the Norton Simon, on Loan from the National Gallery of Art, Washington

Review: Van Gogh’s “Self-Portrait,” 1889 at the Norton Simon © 2012 Leticia Marie Sanchez Cultural Cocktail Hour® is a registered trademark A cool, distant gaze contrasts with the vibrating electric halo of blue brushstrokes surrounding the head of the artist. Van Gogh’s “Self Portrait, 1889” on loan from the National Gallery of Art and currently on view at the Norton Simon Museum of Art, contains a rare visual image in the lower left hand corner. Namely, the artist’s palette and paint brushes. During his lifetime, Van Gogh only depicted himself three times as an artist, including in the self-portrait now exhibited at the Norton Simon. At left: Vincent van Gogh (Dutch, 1853 – 1890) Self-Portrait, 1889 Oil on canvas Collection of Mr. and Mrs. John Hay Whitney, National Gallery of Art, Washington      Van Gogh endured an existence of crushing blows, both romantically

Rare Van Gogh Self Portrait coming to Pasadena this December

  “I wish they would only take me as I am”- Vincent Van Gogh by Leticia Marie Sanchez A rare self portrait of Vincent Van Gogh, on loan from the National Gallery of Art, will grace the Norton Simon on December 7. Van Gogh created this intense portrait during a creative and prolific period of self-confinement at the mental asylum Saint-Paul-de-Mausole at Saint-Rémy.He painted the introspective self portrait only one year before his tragic and mysterious death*. Although Van Gogh painted thirty six self-portraits during his lifetime, the one to be seen at the Norton Simon is unique: only three self-portraits depict him as an artist, holding his palette and brush. For more on the upcoming exhibit, please see:  http://www.nortonsimon.org/van-gogh-s-self-portrait-1889-on-loan-from-the-national-gallery-of-art-washington-2# —– *A past Cultural Cocktail Hour article explored the mysterious circumstances surrounding Van Gogh’s death. A CBS News report discussed a ground-breaking biography by two Pulitzer-Prize winning

Review: Keeping an Audience on its Toes: “Framework” at MOCA- A Must See Production

Review: Keeping an Audience on Its Toes: “Framework” at MOCA A Must-See Production  by Leticia Marie Sanchez Text © 2012 Leticia Marie Sanchez Cultural Cocktail Hour® is a registered trademark Jean Cocteau once remarked, “The Louvre is a morgue. You go there to identify your friends.” Unlike Cocteau’s bleak categorization of museums, L.A Dance Project illustrated the vibrant possibilities of a living museum through their energetically innovative performance at MOCA on Thursday evening.  FRAMEWORK at MOCA Grand Avenue, July 19, 2012, photo by Christina Edwards, courtesy of MOCA.   The poignant sounds of the violin emanated from the gallery walls. Benjamin Millepied, former principal dancer of the New York City Ballet and choreographer of the hit film “Black Swan,” danced with Amanda Wells as 17-year old Colburn violinist Mayumi Kanagawa performed movements from Bach’s B Minor Partita and A Minor Sonata. The aptly named

Venice Italy Summer 2012- Cultural Cocktail Hour’s Top 3 Picks including exclusive behind-the-scenes video at La Chiesa San Vidal

The Venetian Cultural Cocktail recipe is 2 oz Gothic,  a shot of violins, and an intoxicating golden liquor otherwise known as Gustav Klimt! Cultural Cocktail Hour‘s Travel Tips for Venetian exhibits Summer 2012 by Leticia Marie Sanchez All Photography, text, and video © 2012 Leticia Marie Sanchez Cultural Cocktail Hour® is a registered trademark Pick #1 Interpreti Veneziani Chiesa San Vidal - 30124 Venezia These talented, passionate performers interpret Baroque, Classical, and Modern works almost daily at the Chiesa San Vidal. Cultural Cocktail Hour takes you briefly inside the Chiesa San Vidal, named after Doge Vitale Falier.  This now deconsecrated church once never seemed to catch a break. It was rebuilt after the ravaging fires of 1105 and 1696. The new facade, built in the 18th century, housed works by Carpaccio and Piazzetta. Now, the once forsaken church has been revitalized by the music of Interpreti

Cultural Cocktail Hour Photography: The Venice Canals…

Cultural Cocktail Hour Photography: The Venice Canals.. All Photography © 2012 Leticia Marie Sanchez Cultural Cocktail Hour® is a registered trademark

Cultural Cocktail Hour photography from Venice: St. Mark’s Square

Cultural Cocktail Hour photography from Venice: St. Mark’s Square All Photography © 2012 Leticia Marie Sanchez Cultural Cocktail Hour® is a registered trademark

Cultural Cocktail Hour Photography: The Windows of Venice…

Cultural Cocktail Hour Photography: The Windows of Venice… All Photography © 2012 Leticia Marie Sanchez Cultural Cocktail Hour® is a registered trademark

Video: Cultural Cocktail Hour welcomes you to Venice!

Cultural Cocktail Hour reports from Paris: Da Vinci’s Saint Anne at the Louvre

  The Louvre’s Saint Anne, Leonardo da Vinci’s Ultimate Masterpiece ending June 25th by Leticia Marie Sanchez For those in Paris, hie thee quickly to see Leonardo Da Vinci’s Ultimate masterpiece, Saint Anne as the temporary exhibit ends June  25.  Walking through the exhibit is akin to a stroll in Da Vinci’s workshop. An undeniable highlight of the exhibit is the abundance of sketches of the Virgin and Saint Anne that line the walls. The drawings provide us insight in the mind of the master and the subtle conceptual shifts before he achieved his final result. The Louvre’s exhibit informs us of a Freudian psychoanalytic detail. Born out of wedlock and raised by his father’s new wife, Da Vinci experienced a childhood of two mothers, which could be subconsciously manifested through the dual mother figures of the Virgin and St.