Painting +Music+ Dance + History= An entertaining Cultural Cocktail
All Photography© 2016 Leticia Marie Sanchezread more
by Leticia Marie Sanchez
This week’s Cultural Cocktail preview:
1 shot of Antiquity, a Highball of Hijinks, and A Splash of Stilts.
Stepping onto the sumptuous grounds of the Getty Villa feels like being transported via time machine to antiquity. After all, the architectural design was inspired by the Villa dei Papiri, the treasure trove of Julius Caesar’s father-in law.
Even Caesar (when he wasn’t being stabbed in the back) enjoyed a chuckle or two.
And chuckles are on the menu at the Getty Villa in a few weeks.
This fall, director Matt Walker and the Troubadour Theater Company will provide a colorful facelift to material from 2oo B.C, ”A Haunted House Party,” based on Mostellaria by Roman playwright Plautus.
CCH spoke with Costume designer, Sharon McGunigle on her designs.
Madcap troubadours will be singing, dancing, and possibly walking on stilts.
The costumes need to be “Troubie-proof.” Moreover, the actors during Plautus’ time were an itinerant, motley crew hailing from across the Empire- not necessarily Roman- so don’t expect a sea of white togas.
Mc Gunigle used the silhouette of the era, while looking at the Etruscan Era and the Byzantine Era for nuance and embellishment.
Look out for dazzling costumes in the dance sequences!
On the set, wagons to transport traveling troubies to their next production.
Roman Stilt-walkers: break a leg!
Tune in to Cultural Cocktail Hour in September for a review of the production.
By Leticia Marie Sanchez
Cave Temples of Dunhuang: Buddhist Art on China’s Silk Road
Exhibit Closes on September 4, 2016
Stepping into one of the Buddhist Replica Caves at the Getty Center- away from the never-ending traffic, unrelenting tragedy in the news, and ceaseless summer political diatribes- feels like a welcome taste of Nirvana.
Standing inside one of these exquisitely crafted jewel boxes, one can almost levitate- at least mentally- with the flights of fancy inspired by visions of colorful mountains, praying bodhisattvas, and winged spiritual beings that grace the ceiling.
The Getty’s Julia Grimes provided enlightening details about the replica caves, modeled after caves on China’s Silk Road, some dating back to the 4th century. Grimes explained that at the time the caves were first designed, Buddhism was a new religion, present for only 200 years. Therefore, in order to make the religion palatable to new devotees, the artists co-opted other figures into the Buddhist narrative, including Hindu deities and traditional aristocratic Chinese architecture. (Similarly early Christian art co-opted familiar ancient Greek and Roman iconography, such as the image of the wine, Bacchus, and the lamb, a pastoral image of Arcadia, in order to convert new followers). The multicultural images inside the replica caves parallel the vast diversity of China’s Silk Road, a truly global trading route.
Centuries ago, pilgrims entered these “Magao” (peerless) caves on the Western edge of the Gobi desert for a plethora of reasons. Practically minded travelers on the Silk Road perhaps stepped inside as a refuge from the sun. But spiritually minded pilgrims prayed to the Buddha to usher in a new “Kalpa,” or era. The faithful believed that after a period of darkness, Buddha could introduce a new era of light for humanity. Wandering through the replica caves at the Getty Center, I confessed that I also harbored the hope that a bright new Kalpa looms just around the corner.read more
Leticia Marie Sanchez
During the summer, many LA opera lovers may feel pangs of withdrawal, the sense that autumn is too many weeks away to wait for the thrill of hearing an aria live. Cultural Cocktail Hour has discovered a cure for those craving an opera fix. Angels Vocal Art represents the only opera festival in Los Angeles this summer and last weekend presented the Gran Gala di Verdi at the State Playhouse Theater. Angels Vocals Arts allows emerging singers to perform alongside opera professionals, and on Saturday night, young students poured their hearts and souls into the works of the timeless maestro, Giuseppe Verdi.
Moreover, the Verdi Chorus anchored the evening with the solemnity of seasoned performers. I will leave you with the resounding motto of the Verdi Chorus, included in the evening’s program:
“We are The judgment of Egyptian priests/The voice of revelers on a Christmas Eve in Paris/ The outcry of slaves in bondage /The song of all the angels in heaven/ The weeping of exiles in Civil War/ The Sound the Sun makes at dawn /The Curses, the Rage /The Madness, The Glory /We are the voices of Beethoven And Strauss and Puccini and Wagner/ We are the music of the Human Heart in Love/ We are the Verdi Chorus
Listening to passionate young students honing their craft is as refreshing as a Mint Julep in July, one that can leave you shaken and stirred, a bona fide cultural cocktail.
Angels Vocal Art singers
Gran Gala di Verdi
State Playhouse Theater
Photo Credit: Ben Gibbs
The Verdi Chorus
conducted by Kristof Van Grysperre
Gran Gala di Verdi
Photo Credit: Ben Gibbs
For more information on upcoming performances by Angels Vocal Art, see: http://www.angelsvocalart.orgread more
Photos taken at the Season Finale of the Salon De Musiques at the Dorothy Chandler Pavilion
by Leticia Marie Sanchez
Music has a healing power, and, in the wake of tragedies in the headlines, I felt particularly hopeful after listening to the uplifting program by Fanny Mendelssohn, Clara Schumann, and Robert Schumann at the Salon De Musiques Season Finale on June 12th.
As Thomas Carlyle once remarked, music “leads us to the edge of the infinite, and lets us for a moment gaze into that.”
Through the talented direction of Founder Francois Chouchan, the Salon embodied the restorative capacity and deep humanity of a language that needs no words.
Photo outside Louvre
Copyright© 2012 Leticia Marie Sanchez
Venice de Milo surrounded by storage boxes.
Twenty feet of water rising from the Seine.
Due to the past week’s flooding in Paris, curators moved many of the Louvre’s antiquities to safety. According to the New York Times, “Some 150,000 artworks in storage rooms, and an additional 7,000 pieces in galleries, were deemed vulnerable to flooding, and many of them were moved to higher floors starting on Thursday evening.”
For the full scoop, see the NY TIMES article:
Treasures from Ancient Rome, Da Vinci, Van Gogh, 1,000 works by Picasso,
and this exquisite painting from Gustav Klimt:
“Water Serpents II,”
For the full scoop, read the NY TIMES article: