“If the riches of the Indies,
or the crowns of all the kingdoms of Europe
were laid at my feet
in exchange for my love of reading,
I would spurn them all.”
Francois Fenelonread more
An exciting and vibrant month in LA in which to imbibe a Cultural Cocktail of Iconic Photography and a cornucopia of art!
Two heavy hitters hit the LA Art Scene: Photo LA 2017 and LA Art Show
CCH is looking forward to:
PHOTO LA 2017 and checking out 1) photographer Grey Villet‘s intimate images of interracial couple Richard and Mildred Loving, whose compelling story to marry in segregated Virginia in the 1960s 2) the work of Pulitzer-Prize winning war photographer, Tony Vaccaro in the exhibit ”War, Peace, and Beauty”, 3) Vintage prints of South African born photographer Norman Seeff who has made images of artists including Ray Charles, Andy Warhol, John Belushi and Joni Mitchell.
LA ART SHOW: More than 90 galleries from more than 20 countries including: France, China, Spain, Mexico, South Korea,and the United Kingdom
Jan. 12 – Jan 15
The REEF/LA Mart
1933 Broadway, Los Angeles, CA 90007
For information on tickets, please visit:
Jan. 12-Jan 15
LA Convention Center
1201 South Figueroa Street West Hall
Los Angeles, CA 90015
For information on tickets, please visit:read more
As a teenager, Michelangelo Buonarroti suffered a blow at the hands of a green-eyed bully.
Two different accounts of the story exist. In Vasari’s Lives of the Artists, Pietro Torrigiano, an artist studying with Michelangelo under the patronage of Lorenzo De ‘Medici, grew jealous of Michelangelo’s undeniable talent. Resentful of his former pal’s new status as teacher’s pet, Torrigiano delivered a blow that knocked the 15-year-old genius out cold.
In the Autobiography of Benvenuto Cellini, Torrigiano defended himself by saying that Michelangelo was teasing the other artists working in the Church of the Carmine. He admitted the viciousness of his attack: “I felt bone and cartilage go down like biscuit beneath my knuckles; and this mark of mine he will carry with him to the grave.”
Torrigiano should have taken Anger Managment 15th Century style: I’m sorry I Baroque a Friend’s Nose.
Instead, Torrigano continued on a temper tantrum-filled path that eventually led him to prison. Not just any prison.
A Spanish holding cell established by the black-robed goons of the Inquisition. Woops. Torrigiano had become so enraged at a miserly payment for his sculpture of the Virgin that he smashed his Madonna to smithereens. Let’s just say that the fanatical judges did not crack up at the crack up.
As for Michelangelo, he carried more with him to the grave than a broken nose. He has bequeathed the world everlasting art brimming with humanity, majesty, and passion.read more
Review: “States of Mind” at the Norton Simon
October 14, 2016- February 13, 2017
By Leticia Marie Sanchez
The act of artistic creation is often a mystifying process, in which a mysterious alchemy of genius, inspiration, and hours of labor combine to form the masterpieces that we see hanging on museum walls today.
Although we may be connoisseurs and consumers of output, it is rare to have an opportunity to view the artistic process firsthand. Strolling through a sea of Picassos at the Norton Simon one is struck by the ability to have a window into an artist’s thoughts and vision. Unlike oil paint, which covers the artist’s work, the flexible medium of lithography allows one, as explained by Picasso himself, to “show the picture underneath the picture.” The insightfully curated exhibit of 86 prints juxtaposes various states of a composition so that we can view nuanced adjustments as well as significant changes. For instance, the iconic bull becomes more abstract and geometric with each iteration, with the final image evoking a cave drawing.
Pablo Picasso (Spanish, 1881-1973) The Bull, 1945. (Lithograph, various states, including 11th and final state). Norton Simon Art Foundation
The exhibit transports us through visions of Picasso’s loves, mistresses, friendly rival (Matisse), and even his own childlike self-conception. At more than 60 years old, Picasso’s self-portrait was that of a young boy. It is only fitting that he saw himself through a youthful lens, as the exhibit vividly illustrates the artist’s technique of deskilling, moving from the professional to the whimsically childlike in his style. Picasso once remarked of his children, “When I was their age I could draw like Raphael, but it has taken a lifetime to learn to draw like them.”
Finally, in addition to getting a window into the mind of Picasso, the exhibit also affords a glance into the intense collecting style of maverick industrialist Norton Simon. In contrast with many of his tycoon peers, Simon lived well below his means, allowing him to invest his fortune in a formidable art collection. The fervent and often obsessive collector acquired more than 880 works by Picasso, one of the deepest collections of its kind. Simon’s foresight and passion resulted in the sea of Picassos through which we can now immerse ourselves, delving into the mind of a revolutionary artist.
First Image. Pablo Picasso (Spanish, 1881-1973) Head of a Young Girl, November 5, 1945. Lithograph. 1st State; 1 of 18 artist reserved proofs. The Norton Simon Foundation, F. 1983.20.05.Gread more
A splash of art+ 2 shots of music+ a pas de bourrée of ballet= a TOP PICK!
The choreography of Benjamin Millepied+ piano etudes of Philip Glass, + a live performance by Rufus Wainwright+ the art of Mark Bradford
=the recipe for a scintillating CULTURAL COCKTAIL!
L.A. Dance Project at The Theatre at Ace Hotel Downtown LA
December 9 and 10th 8 p.m.
Choreography by: Benjamin Millepied, Christopher Wheeldon, and Roy Assaf; Special Musical Performance by: Rufus Wainwright; Art by Mark Bradford; Featured Dancers- Janie Taylor with Benjamin Millepied, Carla Korbes with Batkhurel Bold L.A. Dance Project Company Artists
Ticket Information: http://www.acehotel.com/LADP
For a past Cultural Cocktail Hour review on the innovative LA Dance Project, please read:
All photography ©2016 Leticia Marie Sanchez
CCH designates NIMBUS as a must-see, must-hear! Art Installation + Accompanying Music= Purely Celestial
From LA Phil website:
Text from the Tenth Elegy of Rilke’s Duino Elegies
Translated by Yuval Sharon
And we who always
Always think of happiness rising
and we who always think of happiness rising
We will be
Will be over whelmed
by the emotion
Emotion of a happy thing falling
All photography ©2016 Leticia Marie Sanchez
The pale pink flower bed is “Muhlenbergia capillaris ‘Pink Cloud’”
Sun-drenched stroll at the Huntington Library, Art Collection, and Botanical Gardensread more